Khard Hridaya · Carpet 004

Sri Yantra

Drawn from the carpet’s loom master. It folds inward to the point; step back out, layer by layer.

From the outside inThe whole carpet

Carpet 004, drawn from its loom master A deep navy round. Sixteen outer lotus petals, eight larger inner petals and two gold circles surround nine interlocking triangles, four pointing up and five pointing down, outlined in antique gold and filled with teal, royal blue, crimson, violet, burnt orange and olive.

A point, and nine triangles

At the centre is a point, the bindu. Around it nine triangles interlock, four pointing up and five pointing down. Where they cross, the classical drawing counts forty-three smaller triangles. Then come eight petals, then sixteen, then circles, and last a square with four gates.

This is the Sri Yantra, also called the Sri Chakra: the principal ritual diagram of Shri Vidya, the tradition of the goddess Tripurasundari, who is also called Lalita. She is worshipped in the bindu. In the Shakta reading the five downward triangles are Shakti and the four upward are Shiva, and the whole figure begins and ends in their union at the centre.

Its nine-level form is written down in Sanskrit texts by about the eleventh century, roughly a thousand years ago. The oldest that survives, the Vamakeshvarimata, lays the diagram out before the name Śrīcakra appears. Its layout, one scholar observes, has stayed essentially the same ever since.

The Saundarya Lahari, a hymn attributed to Adi Shankara, counts its parts in a single verse: four triangles of Shiva, five of Shakti, eight petals and sixteen, three circles, three lines. Sringeri tradition says Adi Shankara carved a Sri Chakra into a rock there, and that the goddess Sharada’s sandalwood image was set above it.

We know of no older tradition of Sri Yantra carpets. Yantras are drawn on the ground or on paper, or cut in stone and metal. Carpet 004 is a new rendering, in silk.

Nine enclosures, from the outside in

Read from the square inward, the figure is called the way of enfoldment; read from the bindu outward, the way of unfoldment.

  1. A square with four gates bhūpura
  2. Sixteen petals
  3. Eight petals aṣṭa-dala-padma
  4. Fourteen triangles catur-daśāra
  5. Ten triangles, the outer ring bahir-daśāra
  6. Ten triangles, the inner ring antar-daśāra
  7. Eight triangles aṣṭa-koṇa
  8. One triangle, pointing down
  9. The bindu

Three circles usually lie between the square and the sixteen petals.

Carpet 004

The yantra on this page is drawn from carpet 004’s loom master, measured from the design the founder supplied. It keeps his proportions, not a textbook’s.

Ten silk colours, as the loom master shows them:

The record

Carpet
Khard Hridaya Carpet 004
Name
Sri Yantra (working name)
Size
1.5 m round
Material
Hand-knotted mulberry silk
Knots
150 per square inch, about 410,900 in all
Origin
India, Nepal
Status
Waiting for its master
Weaver
To be named when the loom starts
Internet Archive item
khard-hridaya-masterpiece-004
CID
QmNsdBHdPTxyZg9jLtV675KsYe7smRaQCAxUe38CH3S9fm

Not a token. Not a medical device.

How to sit with this carpet

Om Aim Hrim Shrim Tripurasundaryai Namah,100 times while the gaze rests on the bindu.

Sources

  1. Anna A. Golovkova, A Goddess for the Second Millennium: Transgression and Transformation in the Hindu Tantric Worship of Tripurasundarī, PhD dissertation, Cornell University, 2017. ecommons.cornell.edu
  2. Encyclopaedia Britannica, “yantra”. britannica.com/topic/yantra
  3. S. K. Ramachandra Rao, The Tantra of Śrī-Chakra (Bhāvanopaniṣat), Bangalore: Sharada Prakashana, 1983, introduction, pp. x–xiii. archive.org
  4. Saundarya Lahari, verse 11, Sanskrit text and gloss. manblunder.com
  5. W. Norman Brown (ed., tr.), The Saundaryalaharī or Flood of Beauty, Traditionally Ascribed to Śaṅkarācārya, Harvard Oriental Series 43, 1958. review listing, cambridge.org
  6. Sri Sringeri Sharada Peetham, “Sri Sharadamba”. sringeri.net
  7. Khard Hridaya, carpet 004 loom master HRIDAYA-GTC-004 and its loom notes, 2026.